Ch. 3 Flashcards

Comprehension of Literary and Informational Text (123 cards)

1
Q

describe the way written and oral language are involved in the reading process.

  • background in English basics = stronger comprehension of texts
A

Linguistic Foundation

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2
Q
  • describe the way readers approach the reading task based on their unique environment and culture constructs
  • readers come from different backgrounds that will guide their approach
  • teachers should respect and facilitate with a variety of approaches
A

Sociological or Cultural Foundation

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3
Q
  • describe how the brain works during the reading process
  • how the eye and brain work to make meaning of texts
  • how the brain process and stores such information for recall
A

Psychological or Cognitive Foundation

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4
Q
  • Hollis Scarborough
    -2 major parts: language comprehension and word recognition
A

Reading Rope

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5
Q

-background and vocabulary knowledge, knowledge of language structure, literary knowledge, and verbal reasoning

-makes reading increasingly strategic

A

Language Comprehension

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6
Q

-phonological awareness, decoding, and sight recognition

  • makes reading increasingly automatic
A

Word Recognition

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7
Q

-children can identify words based on memorization, picture cues, or guessing

-may know the sign says “McDonalds” even though they can’t read it

A

Pre-Alphabetic Phase

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8
Q

-have some knowledge of letter-sound correspondence, which they use, often incorrectly

-may see the word “dog” and recognize /g/, so say the word is “grape”

-may have learned that “apple” starts with /a/, so may say “apple” for any word beginning with /a/

A

Partial Alphabetic Phase

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9
Q

-have mastered letter-sound correspondence, so they sound out the sound of each letter

-may be clunky

-may sound out “balloon” as b-a-l-l-o-o-n

A

Full Alphabetic Phase

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10
Q

-involves use of bigger chunks instead of individual letters

-may recognize phonics patterns like digraphs or suffixes

-may still be likely to segment some parts of the word like ch/eeze

A

Consolidated Alphabetic Phase

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11
Q

-most words are instantly recognized by sight

-when new words are encountered, reader uses strategies to quickly decode them

A

Automatic Phase

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12
Q

-get involved with a text by making connections between their background knowledge and what they are learning or experiencing

A

Active Readers

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13
Q

-involves identifying the author, the genre, and the general subject matter before reading the text

-reading headings and chapter titles, examining related graphics, researching the author and the context of the work, and anticipating the author’s purpose

A

Previewing

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14
Q

-a situation and/or question to examine their own value systems

-teacher is guiding students toward the thematic elements of the text

A

Setting a Purpose

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15
Q

-kind of inference that is concerned with what is going to happen next in a text

A

Predictions

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16
Q

-readers think about what they are thinking as they read

-helps identify confusion

-able to recognize and react when understanding breaks down

-fix-up or fix-it-up strategies

A

Metacognition

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17
Q

-used when understanding of what is being read is unclear
1. slowing down the reading pace
2. rereading the section in question
3. reading beyond the text in question to see if confusions is cleared up
4. using text clues
5. illustrations / graphic elements
6. text features (bold words, italics, headings, relevant punctuation)
7. figuring out the meaning of unfamiliar words (using context clues, picture clues, resource to look up words)
8. asking a peer or teacher for assistance

A

Fix-up or Fix-it-up Strategies

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18
Q

-involve noting interesting or new vocabulary, important inferences, helpful summaries, and brief analysis

A

VISA Annotating

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19
Q

-asks and answers questions about what has been read

-3 levels

A

Questioning

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20
Q

-based on explicit information in the text and require only recall or identification of information from the text

-“On what day did Mark send the letter?”

A

Literal Questions

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21
Q

-based on implicit information in the text

-these questions require students to make an inference or prediction or to draw a conclusion

-“What will Mark most likely do after he sends the letter?”

A

Inferential Questions

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22
Q

-requires readers to form an opinion on the text

-need to understand explicit information and then consider how they feel about this information

-“What do I think about Mark’s action in sending the letter?”

A

Evaluative Questions

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23
Q

-reading strategy to help readers determine what is important in the text

A

Summarization

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24
Q

-include anything for which a number can be calculated

-word frequency, length of words and sentence length, average syllables per word, etc

A

Quantitative Measurements

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25
-company that uses word frequency and sentence length in an equation to yield a score -scores assigned to both readers and texts
MetaMetrics
26
-scores assigned to readers -come from standardized tests and measures current level of reading ability
Reader Measures
27
-layout of the text: illustrations, text size -text structure: simple narrative chronology, more advanced argumentative essay -sentence structure: prevalence of simple or more complex sentences -levels of meaning: whether ideas are explicitly or implicitly communicated -knowledge demand: the cultural knowledge or other ideas that the reader must already know
Qualitative Measurements
28
-require students to read with 99 percent accuracy and 90 percent comprehension -"below" a student's reading level
Independent Reading Level
29
-used for teacher-guided instruction and are typically read at 85 percent accuracy with over 75 percent comprehension -"At" t he student's reading level
Instructional Reading Level
30
-those read at less than 85 percent accuracy and less than 50 percent comprehension -"Above" a student's reading level and not recommended
Frustration Reading Level
31
-appealing to different modes of communication such as written text, spoken language, visual images
Multimodal Elements
32
-choosing something to read based on interests
Self-Selecting Texts
33
-make predictions and read up to a preselected stopping point -evaluate and refine predictions based on text evidence
Directed Reading-Thinking Activity (DR-TA)
34
-identify the type of question and to think about how to find the answer -"Right There" questions -"Think and Search" questions -"Author and You" questions -"On My Own" questions
QAR Strategy
35
-literal questions that require only the location of the relevant part
"Right There" Questions
36
-require synthesis from multiple parts of the text
"Think and Search" Questions
37
-require the text to have been read, but the answer is not directly in the text -typically inference and depth of knowledge 2 and 3 questions
"Author and You" Questions
38
-require background knowledge and do not rely on text evidence directly
"On My Own" Questions
39
-developed for reading texts, but useful from many different reading materials -Survey, Question, Read, Recite, Review
SQ3R Strategy
40
-previewing the text and taking note of graphics, headings, etc.
Survey
41
-generating questions about the text after previewing
Question
42
-reading and looking for answers for the questions
Read
43
-rehearsing or saying the answers to the questions
Recite
44
-reviewing text and answering or responding to any other questions
Review
45
-assigns roles to groups of four students who together work to read and comprehend a text
Reciprocal Teaching
46
-student partners with a classmate and take turns providing each other assistance and feedback in reading comprehension
Peer-Assisted Learning Strategies (PALS)
47
-categories of work that are similar in format, content, tone, or length -4 broad : Nonfiction, Fiction, Drama, Poetry
Genres
48
-prose genre -texts are made up of narratives created by the author -written in the form of novels and short stories
Fiction
49
-set of belies and stories of particular people, which are passed down through generations -comes in many forms: fables, fairy tales, myths, legends, tall tales
Folklore
50
-short stories intended to teach moral lessons
Fables
51
-stories that involve magical creatures such as elves and fairies
Fairy Tales
52
-stories, often involving gods or demigods, that attempt to explain certain practices of phenomena
Myths
53
-unverifiable stories that seem to have a degree of realism about them
Legends
53
-stories that are set in a realistic setting but include characters with wildly exaggerated capabilities
Tall Tales
54
-subcategory of science fiction where the authors explore social, cultural, and political structures in the context of a futuristic world
Dystopian Fiction
55
-category of fiction in which writers tell imaginative stories that are grounded in scientific and technological theories or realities
Science Fiction
56
-meant to be relatable to readers -try to create a degree of verisimilitude in their writing, especially in the dialogue between characters
Realistic Fiction
56
-literary texts that uses critical humor to reveal vice and foolishness in individuals and institutions -improve the object of ridicule -sarcasm, irony, mockery, exaggeration, understatement, honest narrative/speaking voice that is dismayed or appalled by the object of
Satire
56
-intended to frighten, startle, or disgust the reader -involves paranormal or psychological content -mysteries and thrills, which may also arouse fear or paranoia, tend to be fast-paced and outcome-driven; focus on human behaviors or relationships and not on paranormal activity
Horror Fiction
57
-relies on realistic settings and characters from an earlier time to tell new stories -setting is central to the motivations and actions of characters -explore background of historical era before comprehending the text
Historical Fiction
58
-expressive writing that tells a story to an audience through the actions and dialogue of characters, which are brought to life by actors who play the roles on stage
Drama
59
-written in poetic or lyrical verse or in regular prose
Plays
60
-describe the sets and to give directions to the actors about what they are to do
Stage Direction
61
-long speeches in which the characters explain their linking about philosophical ideas or social issues
Monologues
62
-a monologue that is delivered as if nobody were listening
Soliloquy
63
-unique attributes such as manner of speech, dress, or catchphrase
Character Tags
64
-imaginative, expressive verse writing that uses rhythm, unified and concentrated thought, concrete images, specialized language, and patterns
Poetry
65
-unit of poetry -separated by punctuation, meter, and/or rhyme
Line
66
-group of lines followed by a space
Stanza
67
-stanza with two lines
Couplet
68
-stanza with three lines
Tercet
69
-stanza with four lines
Quatrain
70
-stanza with five lines
Cinquain
71
-no fixed form
Free Verse
72
-short narrative song about an event that is considered important -intended to be recited -characterized by dramatic immediacy, focusing on one crucial situation or action that often leads to catastrophe
Ballad
73
-lyrical poem with fourteen lines, written in iambic pentameter
Sonnet
74
-alternates stressed and unstressed syllables in a lien of verse with ten syllables per line
Iambic Pentameter
75
-short poem format that originated from Japan -three lines of five, seven, and five syllables
Haiku
76
-nineteen lines long, five stanzas, each with three lines and a final stanza of four lines -includes a refrain
Villanele
77
-two lines that repeat throughout the poem following a specific pattern
Refrain
78
-the process of modeling one's thinking during a reading
Think-Aloud
79
-phrases not mean to be interpreted literally
Figurative Language
80
-compares two things of a different type -Brave like a lion
Simile
81
-applies a characteristic or meaning to an object or action that is not literally applicable -the anger of the rose stung us with its sharp fury
Metaphor
82
-descriptive language that appeals to one of the five senses -the shrill cry of the alarm
Sensory Imagery
83
-repetition of the same sound in nearby words -the rotund rhinoceros roared
Alliteration
84
-setting, characters, conflict, tone, point of view, main idea, and organization
Structural Elements
85
-the time and place of events in a story
Setting
86
-creates characters that are complex and, to some degree, believable
Character Development
87
-telling the reader explicitly what the character is like by describing traits and values -including thoughts and feelings of the characters themselves, offering readers even more insight
Direct Character Development
88
-revealing their actions and interactions with others -including what one character says or thinks about another and allowing readers to draw their own conclusions
Indirect Character Development
89
-created by the author's attitude toward the reader and subject of the text
Tone
90
-the emotional atmosphere of literary work that shapes the reader's experience of the text -created through an interplay of the literary elements of plot, character, setting, point of view, tone, and figurative language
Mood
91
-the perspective from which the action in a story is told
Point of View
92
-the action is narrated by a character within the story -"I" usage -makes it feel more believable and authentic to the reader -reader's knowledge and understanding are limited to what the narrator notices and are influenced by what the narrator thinks and values
First Person
93
-voice outside the action of the story, an observer who shares what he or she knows, sees or hears with the reader
Third Person
94
-able to see into the minds of the characters and share what they are thinking and feeling
Fully Omniscient
95
-able to see into the minds of just one or a few characters
Partially Omniscient
96
-unable to see into the minds of any of the characters and only able to share what can be seen and heard
Limited Omniscient
97
-uses "you" and can be read as the narrator speaking directly to the reader
Second Person
98
-topics -moral, lesson, or general statement about life a literary work conveys
Theme
99
-graphic organizer that helps students identify the exposition, which sets the stage by describing the time, place, and main characters
Plot Diagram
100
-beginning
Exposition
101
-the main struggle that drives the action
Conflict
102
-sequence of events leading to the eventual climax
Rising Action
103
-turning point
Climax
104
-results of the climax
Falling Action
105
-ending of the story
Resolution
106
-genre of prose writing that is based in fact
Nonfiction
107
-a mix of expressive and informative writing that tells a true, verifiable, or documented story in a compelling, artistic way
Literary Nonfiction (Creative Nonfiction)
108
-try to convince the reader to act or think a certain way
Persuade
109
-language chosen specifically for its particular effect, to influence readers
Rhetoric
110
-tell a (true) story -include a setting, characters, and a plot -uses figurative language and other devices to entertain the reader
Entertain
110
-the author sets out simply to communicate information to the reader
Inform
111
-how things are similar or different -define a term -explain a problem and its solution
Explains
112
-form groups to come up with actions or poses that illustrate the meaning of each new word on their list after the teacher explains the words' meanings to the group
Words Alive
112
-a detailed description of an event, person, place, or even inanimate object
Describe
113
-helps to think about the author's purpose -Persuade, Inform, Explain, Entertain, Describe
PIEED
114
-write the subject of the text in the center and encourage students to fill in the rest of the web with information they already know about the topic
Brainstorm Web
115
-small groups or as a class -write one word or phrase they already know about a topic for each letter of the alphabet
ABC Brainstorm
116
-asking students to freely write down or draw what they already know about a topic
Free Brainstorm
117
-break up new vocabulary words into mini-lists and have each student become the "expert" of two or three words -create a card with a definition, illustration, and sentence from the text to share with the class
Word Expert
118
-write the new word in the center and then around it write a synonym, an antonym, example, and a non-example of the word
Semantic Mapping