Goddess_Lecture_Session2_Summary Flashcards

(27 cards)

1
Q

What are the two types of cultic images?

A

Man-made or svayaṃvyakta (self-manifested)

Cultic images are defined by their method of creation and activation.

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2
Q

What ritual activates cultic images?

A

Pratiṣṭhā ritual (“opening of the eyes”)

This ritual is essential for the activation of cultic images.

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3
Q

What are ornamental/narrative images used for?

A

Represent events/gods, sometimes worshipped, part of broader visual storytelling, tied to literary narratives

These images serve both aesthetic and narrative purposes.

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4
Q

What is the primary function of decorative images?

A

Aesthetic, minimal narrative or cultic function

Decorative images prioritize aesthetic appeal over narrative or cultic significance.

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5
Q

What are the relationships of images tied to?

A

Texts, donors, architecture, ritual scenes

an image can never be understood on it’s own

Understanding these relationships enhances the comprehension of the images’ significance.

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6
Q

What does idealisation in Indian images entail?

A

Stylised features, perfect proportions (e.g., Viṣṇu, Lakṣmī)

- young, graceful, full faces, almond eyes, flshy lips
- ofte in opposit

Idealisation reflects the cultural ideals of beauty and divinity.

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7
Q

What is fantastic anatomy in the context of Indian images?

A

Extra limbs/heads, divine symbols (e.g., Avalokiteśvara, Cāmuṇḍā, Harihara)

This concept highlights the divine nature of the figures depicted.

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8
Q

Which global references are made regarding fantastic anatomy?

A

Artemis of Ephesus, Three-headed Trinity

These references show parallels in the depiction of divine figures across cultures.

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9
Q

How is fantastic anatomy signifying the divine?

A

**
it shows the same absolute pronciple in different incarnations****
- Avalokitesvara with 11 faces and 1000 arms
- Harihara as combo of Siva and Visnu= Unity of different aspeczs of the same ultimate divine principle
–Ganesa: antromoporphic depiction

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10
Q

What is androgyny in Indian imagery?

A

Fusion of male and female aspects (e.g., Śiva Ardhanārīśvara)

Linked to youthfulness

This concept reflects the fluidity of gender in divine representations. Disliked in Europe as too feminine = inferior

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11
Q

Which Bodhisattvas show gender fluidity?

A

Tārā, Avalokiteśvara,
Guanyin: feminised chinese form of avalokitsvara

difficult to distinguish male and female images

Gender fluidity in deities can indicate broader cultural interpretations of divinity.

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12
Q

What is the background for androgynity?

A

Transcending gender as the union of masculine and feminine = the absolute beginning of the universe

= the transcendental conception of the divine

Śiva Ardhanārīśvara: Siva Androgyne 11th century

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13
Q

What methods are used to identify goddesses?

A

Anatomy, attributes, entourage,
without impossible to identify

Identification often requires contextual understanding.

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14
Q

Which deities can signify Viṣṇu?

A

Lakṣmī & Bhū

10th century

Lakshi and Bhu hold Lotuses, Visnu Disc and Conce

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15
Q

What is the significance of female terracotta figures from the Protohistoric period?

Indus seals: small narrative scenes,like mātrkā flanked by Gnesa and Siva from 10th cent.??

A

They date back to ca. 3000–1900 BCE and feature female motifs from the Indus Civilisatiob
- mother goddesses
- fertility cults

These artifacts provide insight into early representations of the feminine divine.

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16
Q

What texts are associated with the Vedic Period?

A

Rigveda, Samaveda, Yajurveda, Atharvaveda
1100-500 BCE
Aryans from brought Sansrkit and male hierarchical Indo-Aryan society and culture

Languaga and poetry bring the gods into reality by performance = Absence

These texts form the foundation of Vedic literature and spirituality.

17
Q

What is the societal structure during the Vedic period?

A

kula > grama > raja > brahman

This hierarchy illustrates the organization of society in Vedic times.

18
Q

Name key male deities from the Vedic period.

A

Agni (fire), Varuṇa (water), Soma (moon), Vāyu (breath)

and many more

These deities played significant roles in Vedic rituals and beliefs.

19
Q

Name key female deities from the Vedic period.

A

Uṣas (the Dawn), Sarasvatī (a river), Pṛthvī (the Earth), Vāc (the Speech), Nirṛti (the Misfortune), Rātri (the Night)

fewer goddesses: less improtant, always with male counterparts = essenti

These female deities reflect the spiritual diversity of the Vedic pantheon.

20
Q

What are key texts from early Hinduism?

A

Mahābhārata, Rāmāyaṇa, Bhagavadgītā

worship around temples with antropomorphic representations

great gods were male: Brahma, Visnu, Siva

around CE

These texts are central to the understanding of Hindu philosophy and mythology.

21
Q

What concepts are associated with early Hinduism?

A

Bhakti (devotion)
Darśana (showing, seeing)

These concepts emphasize devotion and the experience of the divine.

22
Q

Waht are the marks of early female represantion of the female body in India?

A
  • elaborate headdress
  • under parasol
  • terracottas mass produced began to spread feamale imagery around CE
23
Q

What representations are found in early Hinduism?

A

Terracotta goddesses, coins, Yakṣī figures

These artifacts illustrate the material culture and religious practices of the time.

24
Q

When did the rise of the goddess (Devī) occur?

A

1st–2nd Century onward: Durgā

6-7th: concept of Devī the Great Goddess , within Hindu theology
several arms holding weapons: warrior power
from 7th cent: goddesses become important

This period marks a significant increase in the worship of goddess figures.

25
Where was Durgā notably worshipped during the rise of the goddess?
Mathura, UP ## Footnote Mathura became an important center for goddess worship during this period.
26
What are the main devotional movements during the medieval period?
Śaivism, Vaiṣṇavism, Śaktism ## Footnote These movements represent different paths of devotion within Hinduism.
27
Name a local goddess worshipped in Mumbai.
Mumbā ## Footnote Mumbā is an example of urban goddess worship in India.