Lesson 4 Flashcards

(28 cards)

1
Q

It determines how colors combine based on the number of channels in a color model.

A

Color mode or Image mode

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2
Q

Different _________ result in different levels of color detail and file size

A

Color Modes

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3
Q

What are the different color modes

A

RGB mode (millions of colors)
CMYK mode (four printed colors)
Index mode (256 colors)
Grayscale mode (256 grays)
Bitmap mode (2 colors)

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4
Q

assigning an intensity value to each pixel

A

RGB Mode

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5
Q

In 8-bits-per-channel images, the intensity values range from 0 (black) to 255 (white) for each of the ________ (red, green, blue) components in a color image.

A

RGB

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6
Q

use three colors, or channels, to reproduce colors on screen

A

RGB Images

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7
Q

(red, green blue)

A

RGB

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8
Q

each pixel is assigned a percentage value for each of the process inks.

A

CMYK Mode

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9
Q

The lightest colors are assigned small percentages of process ink colors; the darker colors higher percentages.

A

CMYK Mode

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10
Q

What is the meaning of CMYK?

A

Cyan, Magenta, Yellow and Key

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11
Q

Uses different shades of gray in an image

A

Grayscale Color

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12
Q

In 8-bit images, there can be up to 256 shades of gray.

A

Grayscale Color

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13
Q

Every pixel of a grayscale image has a brightness value ranging from 0 (black) to 255 (white)

A

Grayscale Color

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14
Q

Uses one of two color values (black or white) represent the pixels in an image.

A

Bitmap Color

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15
Q

produces 8-bit image files with up to 256 colors.

A

Indexed Color

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16
Q

When converting to _________, Photoshop builds a color lookup table (CLUT), which stores and indexes the colors in the image

A

Indexed Color

17
Q

Although its palette of colors is limited, __________ can reduce file size yet maintain the visual quality needed for multimedia presentations, web pagesm and the like

A

Indexed Color

18
Q

Are used to separate different elements of an image

19
Q

is lined to a layer and hides part of the layer from the picture

20
Q

is one or more effects applied to a layer or group of layer

21
Q

7 Different Layer Style

A

Drop Shadow
Inner Shadow
Outer Glow and Inner Glow
Bravel and Emboss
Satin
Color, Gradient, and Pattern Overlay
Stroke

22
Q

adds a shadow that falls behind the contents on the layer

23
Q

adds a shadow that falls insed the edges of the layer’s content, giving the layer a recessed appearance.

24
Q

add glows that emanate from the outside or inside edges of the layer’s content

A

Outer glow and Inner Glow

25
add various combinations of highlights and shadows to a layer.
Bravel And Emboss
26
applies interior shading that creates a satiny finish.
Satin
27
files the layer’s content with a color, a gradient or a pattern.
Color, Gradient, and Pattern Overlay
28
outlines the object on the current layer using color, a gradient or a pattern.
Stroke