Context of Tide
1950’s, consumer boom, women going back to domestic roles after working during war.
stereotypes of 1950’s as shown in ad
In 1950’s there was a patriachal society - the dominant social ideology was traditional and patriachal. dominant and hegemonic roles.
Men - strong, instrumental, can drive
women - domestic, expressive, cant drive, cook.
Tide links to the american dream.
How does hall link to context
there is evident stereotypig where females are simplified into a few simple characteristics or traits due to their inequality of power.
Representation - applied to hall
The images of domesticty form part of the contextual roadmap - giving meaning of the ad and 1950 america.
representation - stereotypes
despite its comic strip visual construction, the scenario represented is familiar to the audience due to the representation of the ‘ female goddess’ stereotype
representation - inequalities of power
’’ No wonder you women buy more tide’’ - constructs a hierachy where men are speaking to the women - patriachal message.
the advert also promotes white privallege which displays an ethnocentric message.
representation - van zoonen
the advert demonstrates an agreement between hall and zoonen as there is a clear difference between how men and women are treated, which reflects the power of patriachy.
representation - evidence bank
written -
‘’ Tides got what women want’’
‘‘no wonder you women buy more tide’’
visual -
main female - maid costume, face of makeup, holding tide with similar pose to women propaganda during war,pretty woman - status of myth. The headband or scarf worn by the woman also links to the practicalities that women’s dress codes developed during this time. For this advert, having her hair held back connotes she’s focused on her work, though this is perhaps binary opposed to the full makeup that she’s wearing
technical - the images of domesticity (including the two women hanging out the laundry) form part of the “shared conceptual road map” that give meaning to the “world” of the advert. Despite its ‘comic strip’ visual construction, the scenario represented is familiar to the audience as a representation of their own lives.
media language - layout
layout -
clear symmetrical layout
Z pattern - guides eye
lots of text - typical 1950 print
creates clarity and trust
media language - colour
Bright primary colours ( red,yellow,blue)
Red - attention and exitement
yellow - happiness
blue - clean/relatable
Strong contrast causing the advert to stand out.
media language - typography and language
sans seriff font - friendly and accesable.
bold capitals and exclemation marks - enthusiam
direct adress - ‘‘you’’, ‘‘your’’.
hyperbole - exaggereated claims
confident persuasive tone.
media language - Imagery
smiling woman holding tide
comic strip style
hearts/symbols
links cleanliness to emotional reward.
Media language - MOA
friendly tone as the target audience is women
media language bank
'’no other product will get you wash as clean as tide !’’
‘‘no wonder you women buy more tide’’
‘‘worlds cleanest wash!’’
‘‘worlds whitest wash!’’
‘‘only tide does all three’’